paulgorman.org

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Fri Apr 8 06:00:01 EDT 2022 ======================================== Slept from eleven to six without waking. Chance of rain showers early in the morning, then rain showers in the late morning and afternoon. Slight chance of thunderstorms in the afternoon. Highs in the upper 40s. Southwest winds 5 to 10 mph. Chance of precipitation 80 percent. Work ---------------------------------------- Following NRM geospatial recommendation, research on OneDrive vs. Box, AWS training. Home ---------------------------------------- * [x] 06:00 PM D&D on Jitsi with Ed, Scott, Steven, Anthony https://www.theawl.com/2012/08/the-rise-and-fall-of-grunge-typography/ > David Carson, the acclaimed graphic designer who created Ray Gun magazine, is the so-called Godfather of Grunge. His method was simple, his gospel twofold: you don’t have to know the rules before breaking them, and never mistake legibility for communication. Carson’s technique of ripping, shredding, and remaking letters touched a nerve. His covers for Ray Gun were bold and often disorienting. He once disliked a Ray Gun article on Bryan Ferry, and so set the entire spread in Zapf Dingbats. > The aesthetic was fueled by raw emotion, but Carson’s tactics were made imitable by technology. The rise of grunge typography coincided with the burgeoning popularity of the Macintosh, which, introduced in 1984, permanently altered the landscape of graphic design and typography. The art of designing by hand — a painful craft of precision and consistency — was no longer the only option. Designers were liberated; the screen and their imagination were the only constraints. In many ways, the modifier “grunge” denotes for typography what it does for music: unfettered, unrestrained, a cry against convention. The experimental typographer is almost always the young typographer, and young typographers in the 90s, armed with new software and ideas, rejected the rule-based fonts of their forebears. > “When I made Morire, I had been a designer for a couple of years and was really bored with what I was doing,” Goren told me. “I spent a lot of time looking at contemporary typography and observing what was going on. I didn’t really consider myself part of any movement. I read an article, in Time magazine of all places, of a school in Camden, Maine called the Center for Creative Imaging. The article said it was like being in Florence during the Renaissance. I immediately thought ‘I have to go there.’” > “It was incredibly expensive, like $1,700 for three days, and there was an intensive weekend course called something like Experimental Typography. Now this is 1994 or 1993, so these concepts were fairly new. The teacher was P. Scott Makela, who died fairly young but was brilliant and part of that whole David Carson school. Not really knowing anything about the course, I registered, and paid the massive amount of money. The workshop turned out to be three people and the teacher in the class, and it was basically a three-day intensive experience. We didn’t even sleep. It was just three straight days of type design. They had state-of-the-art computers, at that time Macintoshes, and I had never had facilities like that. Makela gave us an assignment and over the weekend I designed the whole typeface. I wasn’t even on drugs.” > One of those fonts was Goren’s Morire, which T26 stopped distributing in 2004. Demand for such typography weakened as the marketplace became oversaturated with grunge fonts and design trends turned toward simplicity. Ray Gun folded in 2000, one of many print casualties of the decade. And young typographers, once so enamored with the idea of throwing caution to the wind, started realizing the merits of restraint. Slowly and surely, the utility of grunge typography narrowed, until it was applied mostly as a novelty and very often as a gimmick. It began to look cheap, formulaic, boring. The cycle had come full circle, and technology facilitated the end as much as it did the beginning. D&D was a lot of fun. Servings: grains 3/6, fruit 1/4, vegetables 2/4, dairy 1/2, meat 2/3, nuts 0.5/0.5 Breakfast: banana, coffee, egg, naan, cucumber salad Lunch: coffee, chicken burrito Dinner: potato chips

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