Yet the most intriguing of Groucho’s letters with regard to Eliot is not one that he sent to the poet, but a description of the dinner that finally did take place. Groucho wrote up an account of it for his brother Gummo.
Groucho writes that the week before the dinner, “I read ‘Murder in the Cathedral’ twice; ‘The Waste Land’ three times, and just in case of a conversational bottleneck, I brushed up on ‘King Lear’.” They begin with cocktails. A lull in the conversation prompts Groucho to “toss” in a quotation from ‘The Waste Land’.” Eliot “smiled faintly.” Feeling perhaps slighted by this uber-goy, Groucho writes that he “took a whack at ‘King Lear’," arguing that the king was “an incredibly foolish old man”. But Eliot, whether annoyed or nonplussed, perhaps passive-aggressively ignores Groucho’s invitation to ponder “Lear”, preferring instead to discuss “Animal Crackers” and “A Night at the Opera”. “Now,” recounts Groucho triumphantly, “it was my turn to smile faintly.” Suddenly they are like two characters in a play co-written by Samuel Beckett and Neil Simon.

Steve Job's sister offered this in her eulogy:

His philosophy of aesthetics reminds me of a quote that went something like this: "Fashion is what seems beautiful now but looks ugly later; art can be ugly at first but it becomes beautiful later."

The probable source of the thought is this quotation from Jean Cocteau:

Art produces ugly things which frequently become more beautiful with time. Fashion, on the other hand, produces beautiful things which always become ugly with time.

http://en.wikipedia.org/wiki/Ambrose_Bierce#Disappearance

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